cross-channel
KEYWORDS:
RESIDENCY, INTERNATIONAL, IDENTITY
START:
SEPTEMBER 2009
LOCATION:
ST. OMER, FR AND DOVER, UK
TEAM:
DAD, ESPACE 36, PIERRE-YVES BREST, SHARON HAWARD
NEWS:
view project news
PROJECT PARTNERS:
ESPACE 36
EXTERNAL LINKS:
SHARON HAWARD'S BLOG
UK MEDIATOR'S BLOG
ARTISTS:
PRESS:
film

WATERMARK

consultancy

CULTURAL FRAMEWORK

craft

BUNTING FOREVER

past projects

RÉSIDER/RESIDE

Project Fields
Current Project: 
This is a past project.
Strapline: 
RÉSIDER/RESIDE
Project Colour: 
#0099FF
Category Name: 
cross-channel
Project Dates: 
Sun, 06/09/2009
Homepage Image: 
http://www.dadonline.eu/sites/default/files/projects/images/reside_preview.jpg
Project Images: 
Project Keywords: 
RESIDENCY, INTERNATIONAL, IDENTITY
Location: 
ST. OMER, FR AND DOVER, UK
Team: 
DAD, ESPACE 36, PIERRE-YVES BREST, SHARON HAWARD

Working with partners, Espace 36 in Saint-Omer, we are developing a project which explores issues around location, residence, migration and what it means to be a European in the newly defined territory of Europe.

1 UK and 1 French artist will each spend up to 15 days in each region to develop their work. The residencies will be based in Dover and Saint-Omer; the county of Kent and Côte d'Opale will form the project's areas of research. The artists' work will be exhibited together: 6 September – 10 October 2009 in the gallery of Espace 36 in Saint-Omer and 24 October – 28 November 2009 in a non-gallery space in Dover. The interpretation/mediation of the artists' work to the public in Saint-Omer and Dover is an integral part of the project and will be led by the mediation co-ordinator with Espace 36, in liaison with the artists and partners.

The artists selected for the residency are Pierre-Yves Brest and Sharon Haward. They were selected jointly by DAD and Espace 36 with help from Maryz Devick, Director of Atelier 2 for the selection in France, and Jane Won, Assistant Curator at the De La Warr Pavilion, for the selection in the UK.

Pierre-Yves Brest For this project Pierre-Yves Brest is interested in recomposing an imaginary panorama consisting of photographic portraits of men and women residing permanently, temporarily or ephemerally in the two regions. For this project, the artist is researching the desire to see the opposite shore that arises with each visit to the steep Channel Coast.

Sharon Haward is interested in mapping the paths and traces we leave as we move around. She is also keen to highlight how buildings and different locations often bear the influence, impressions (sounds, smells, etc.) and scars of previous inhabitants. For this project the artist intends to work experimentally with a range of media in the search to create something which resonates with the architecture and occupancy of a chosen site.